47. Doreen Massey, For Space

by breavman99

for space

I’ve meant to read Doreen Massey’s 2005 book For Space for quite some time now. My friend Rachelle Viader Knowles, who teaches at Coventry University, has told me that For Space was very influential on her PhD work. Also, while I’m very interested in the distinction Yi-Fu Tuan makes between space and place, I’m also aware that any such binary opposition is begging to be deconstructed, and from the title of Massey’s book, I thought that might be part of her project. If I’m going to think about space and place, I thought, I’m going to need to be aware of critiques of that opposition, and if that’s what Massey’s up to, then I would have to read her book.

Massey isn’t primarily interested in distinctions between space and place, but that doesn’t mean that her book isn’t important for my research. (Also, I had better point out at the very beginning that For Space is a complex book, and because I’m trying to follow the turns of Massey’s argument in detail, this post is going to be rather long.) Massey begins by saying that she’s been thinking about space for a long time, but in an indirect way, “through some other kind of engagement,” including “the politics of space” and “[t]he battles over globalisation,” “the engagements with ‘nature’ as I walk the hills,” and “the complexities of cities” (1)—all themes she returns to later in For Space. “It is through these persistent ruminations—that sometimes don’t seem to go anywhere and then sometimes do—that I have become convinced both that the implicit assumptions we make about space are important and that, maybe, it could be productive to think about space differen[t]ly” (1). That is precisely what For Space does: it takes on our “implicit assumptions” about space and thinks about space in a different way.

One of Massey’s primary concerns is the way we imagine space, the way we think about it. She begins with the story of the encounter between Hernán Cortés and Moctezuma, when the Spanish met the Aztecs at their capital, Tenochtitlán, a story that stands in, metonymically, for the history of European exploration and colonization of the globe, a story that depended on a particular conception of space as a surface, “continuous and given,” a way of thinking about space that “differentiates”: “Hernán, active, a maker of history, journeys across this surface and finds Tenochtitlán upon it” (4). This “unthought cosmology,” Massey writes, “carries with it social and political effects” (4):

So easily this way of imagining space can lead us to conceive of other places, peoples, cultures simply as phenomena “on” this surface. It is not an innocent manoeuvre, for by this means they are deprived of histories. Immobilised, they await Cortés’ (or our, or global capital’s) arrival. They lie there, on space, without their own trajectories. Such a space makes it more difficult to see in our mind’s eye the histories the Aztecs too have been living and producing. What might it mean to reorientate this imagination, to question that habit of thinking of space as a surface? If, instead, we conceive of a meeting-up of histories, what happens to our implicit imaginations of time and space? (4)

A related phenomenon is “the story of the inevitability of globalisation,” by which its proponents mean “the inevitability of that particular form of neoliberal capitalist globalisation that we are experiencing at the moment—that duplicitous combination of the glorification of the (unequally) free movement of capital on the one hand with the firm control over the movement of labour on the other,” which leads to the claim that other countries are “behind” wealthy nations and will eventually follow on the same path (4-5). This “proposition,” Massey argues, “turns geography into history, space into time,” a shift that, again, has political and social effects: other countries are imagined as if they do not have “their own trajectories, their own particular histories, and the potential for their own, perhaps different, futures. They are not recognised as coeval others. They are merely at an earlier stage in the one and only narrative it is possible to tell” (5). That “cosmology of ‘only one narrative,’” Massey writes, “obliterates the multiplicities, the contemporaneous heterogeneities of space. It reduces simultaneous existence to place in the historical queue” (5). “What if,” she asks, “we refuse to convene space into time? What if we open up the imagination of the single narrative to give space (literally) for a multiplicity of trajectories? What kinds of conceptualisation of time and space, and of their relation, might that give on to?” (5)

Then Massey turns to place. “In the context of a world which is, indeed, increasingly interconnected the notion of place (usually evoked as ‘local place’) has come to have totemic resonances,” she writes:

Its symbolic value is endlessly mobilised in political argument. For some it is the sphere of the everyday, of real and valued practices, the geographical source of meaning, vital to hold on to as “the global” spins its ever more powerful and alienating webs. For others, a “retreat to place” represents a protective pulling-up of drawbridges and a building of walls against the new invasions. Place, on this reading, is the locus of denial, of attempted withdrawal from invasion/difference. It is a politically conservative haven, an essentialising (and in the end unviable) basis for a response; one that fails to address the real forces at work. (5-6)

Place is, or at least it can be, about “nationalisms and territorial parochialisms characterised by claims to local specificity and by a hostility to at least some designated others” (6). Place, in contemporary terms, is the motivating force for Brexit, or for Trump’s desired border wall. And yet, is it always “a politically conservative haven”? “[W]hat of the defence of place by working-class communities in the teeth of globalisation,” she asks, “or by aboriginal groups clinging to a last bit of land?” (6). Place is ambiguous: “Horror at local exclusivities sits uneasily against support for the vulnerable struggling to defend their patch” (6). Nevertheless, there are “often shared undergirding assumptions” of place:

as closed, coherent, integrated as authentic, as “home,” a secure retreat; of space as somehow originarily regionalised, as always-already divided up. And more than that again, they institute, implicitly but held within the very discourses that they mobilise, a counterposition, sometimes even a hostility, certainly an implicit imagination of different theoretical “levels” (of the abstract versus the everyday, and so forth) between space on the one hand and place on the other. (6)

Again, Massey offers a number of questions in response to these distinctions between space and place:

What if we refuse this imagination? What then not only of the nationalisms and parochialisms which we might gladly see thereby undermined, but also of the notion of local struggles or of the defence of place more generally? And what if we refuse that distinction, all too appealing it seems, between place (as meaningful, lived and everyday) and space (as what? the outside? the abstract? the meaningless)? (6)

What, indeed, would happen if we abandoned the distinction between place as meaningful and space as abstract? That is Tuan’s distinction: how else could one assert the difference between locations one knows and that have meaning, and locations one does not know or understand? 

“The imagination of space as a surface on which we are placed, the turning of space into time, the sharp separation of local place from the space out there; these are all ways of taming the challenge that the inherent spatiality of the world presents,” Massey writes (7). But, she continues, these ways of thinking about space are typically unthought or implicit (7). “One of the recurring motifs in what follows is just how little, actually, space is thought about explicitly,” she suggests (7). Nevertheless, “these implicit engagements of space feed back into and sustain wider understandings of the world”:

The trajectories of others can be immobilised while we proceed with our own; the real challenge of the contemporaneity of others can be deflected by their relegation to a past (backward, old-fashioned, archaic); the defensive enclosures of an essentialised place seem to enable a wider disengagement, and to provide a secure foundation. (8)

All of these, for Massey, are examples of failures, intentional or otherwise, of “spatial imagination” (8). They are “inadequate to the challenges of space,” incapable of understanding “its coeval multiplicities,” accepting “its radical contemporaneity,” or dealing with “its constitutive complexity” (8). This statement leads to Massey’s big question, which ends her introduction: “What happens if we try to let go of those, by now almost intuitive, understandings?” (8)

Massey’s next chapter lists three propositions regarding space, all of which follow from the questions she asks in her introduction. First, she suggests “that we recognise space as the product of interrelations: as constituted through interactions, from the immensity of the global to the intimately tiny” (9). Second, we need to understand space 

as the sphere of the possibility of the existence of multiplicity in the sense of contemporaneous plurality; as the sphere in which distinct trajectories coexist; as the sphere therefore of coexisting heterogeneity. Without space, no multiplicity; without multiplicity, no space. If space is indeed the product of interrelations, then it must be predicated upon the existence of plurality. (9)

Third, she suggests “that we recognise space as always under construction”:

Precisely because space on this reading is a product of relations-between, relations which are necessarily embedded material practices which have to be carried out, it is always in the process of being made. It is never finished; never closed. Perhaps we could imagine space as a simultaneity of stories-so-far. (9)

For Massey, these propositions regarding space are important: 

thinking the spatial in a particular way can shake up the manner in which certain political questions are formulated, can contribute to political arguments already under way and—most deeply—can be an essential element in the imaginative structure which enables in the first place an opening up to the very sphere of the political. (9)

The “imagination of the spatial and the imagination of the political” are therefore directly connected (9-10). 

Politics, Massey writes, is “the (ever-contested) question of our being-together” (142). The claim that the spatial and the political are interrelated is an important part of Massey’s argument, and it is therefore worth unpacking. First, she argues that “understanding space as a product of interrelations chimes well with the emergence over recent years of a politics which attempts a commitment to anti-essentialism,” a politics which “takes the constitution of identities themselves and the relations through which they are constructed to be one of the central stakes of the political” (10). “Rather than accepting and working with already-constituted entities/identities,” Massey continues,

this politics lays its stress upon the relational constructedness of things (including things called political subjectivities and political constituencies). It is wary therefore about claims to authenticity based on notions of unchanging identity. Instead, it proposes a relational understanding of the world, and a politics which responds to that. (10)

Such a “politics of interrelations” mirrors Massey’s first proposition, the claim that space “is a product of interrelations”: “Space does not exist prior to identities/entities and their relations”—in fact, “identities/entities, the relations ‘between’ them, and the spatiality which is part of them, are all co-constitutive” (10). There is no simple cause and effect; all three of these things helps to create the others. However, for Massey space is the privileged term: “spatiality may also be from the beginning integral to the constitution of those identities themselves, including political subjectivities,” she contends, and “specifically spatial identities (places, nations) can equally be reconceptualised in relational terms” (10). Questions of these relations, and the ways they are negotiated, are returned to throughout For Space.

Second, Massey argues that “imagining space as the sphere of the possibility of the existence of multiplicity resonates with the greater emphasis which has over recent years in political discourses of the left been laid on ‘difference’ and heterogeneity” (10). This point is related to her second proposition about space: “the very possibility of any serious recognition of multiplicity and heterogeneity itself depends on a recognition of spatiality,” she suggests. “The political corollary is that a genuine, thorough, spatialisation of social theory and political thinking can force into the imagination a fuller recognition of the simultaneous coexistence of others with their own trajectories and their own stories to tell” (11). As with her first argument, this one recurs throughout For Space as well, and it is one of her primary concerns.

Third, Massey contends that “imagining space as always in process, as never a closed system, resonates with an increasingly vocal insistence within political discourses on the genuine openness of the future. It is an insistence founded in an attempt to escape the inexorability which so frequently characterises the grand narratives related by modernity” (11). Indeed, for Massey the existence of future possibilities is the basis of political activity: “only if we conceive of the future as open can we seriously accept or engage in any genuine notion of politics. Only if the future is open is there any ground for a politics which can make a difference” (11). Once again, she sees a parallel between this point and the way she conceives of space: “Not only history but also space is open” (11). Space, she writes, “is neither a container for always-already constituted identities nor a completed closure of holism. This is a space of loose ends and missing links. For the future to be open, space must be open too” (12).

Massey then pauses to register a concern about the connotations of her words; she in effect stops to define her particular use of vocabulary in the book. Her use of the terms “trajectory” and “story,” for instance, is intended to emphasize the process of change—both temporal and spatial—in a phenomenon (12). The terms “difference,” “heterogeneity,” “multiplicity,” and “plurality” are all meant to suggest “the contemporaneous existence of a plurality of trajectories; a simultaneity of stories-so-far” (12). The fact of such heterogeneities is “intrinsic to space,” Massey argues. “Romances of coherent nationhood . . . may operate on precisely such principles of constituting identity/difference,” and “such attempts at the purification of space. . . . are precisely one way of coping with its heterogeneities—its actual complexity and openness” (12). But Massey is interested in positive heterogeneity rather than negative difference, in heterogeneity as a positive alternative to essentialist arguments. That positive heterogeneity will enable one to grasp the “liveliness, the complexity and openness of the configurational itself, the positive multiplicity, which is important for an appreciation of the spatial” (12-13).

“What I’m interested in,” Massey writes, “is how we might imagine spaces for these times; how we might pursue an alternative imagination”:

What is needed, I think, is to uproot “space” from that constellation of concepts in which it has so unquestioningly so often been embedded (stasis; closure; representation) and to settle it among another set of ideas (heterogeneity; relationality; coevalness . . . liveliness indeed) where it released a more challenging political landscape. (13)

“This is a book about ordinary space,” she continues:

the space and places through which, in the negotiation of relations within multiplicities, the social is constructed. It is in that sense a modest proposal, and yet the very persistence, the apparent obviousness, of other mobilisations of “space,” point to its continuing necessity. (13)

Space, she writes, is just as lively and challenging as time, which has tended to occupy the imaginations of philosophers; space is neither dead nor fixed, and “the very enormity of its challenges has meant that the strategies for taming it have been many, varied and persistent” (14). Note Massey’s inclusion of place in this statement of her interests; she wants to consider “the real problems of thinking about, and still more of appreciating, place” (14).

The next section of For Space engages with the way our definition of space is derived from philosophy; in particular, the work of Henri Bergson; the structuralists; and the deconstructionists (primarily Jacques Derrida). Throughout this section, Massey argues that “time and space must be thought together”: “the imagination of one will have repercussions (not always followed through) for the imagination of the other,” and since “space and time are implicated in each other,” thinking them together “opens up some problems which have heretofore seemed (logically, intractably) insoluble” (18). Thinking space and time together also “has reverberations for thinking about politics and the spatial” (18). Although time and space are typically considered in opposition to each other, Massey continues, “[t]he counterpositional labelling of phenomena as temporal or spatial, and entailing all the baggage of the reduction of space to the a-political sphere of causal closure or the reactionary redoubts of established power, continues to this day” (18). Thinking about space will have effects on the way other things are thought about in philosophy:

the excavation of these problematical conceptualisations of space (as static, closed, immobile, as the opposite of time) brings to light other sets of connections, to science, writing and representation, to issues of subjectivity and its conception, in all of which implicit imaginations of space have played an important role. And these entwinings are in turn related to the fact that space has so often been excluded from, or inadequately conceptualised in relation to, and has thereby debilitated our conceptions of, politics and the political. (18-19)

Her goal, she writes, is “to liberate ‘space’ from some chains of meaning (which embed it with closure and stasis, or with science, writing and representation) and which have all but choked it to death, in order to set it into other chains (in this chapter alongside openness, and heterogeneity, and liveliness) where it can have a new and more productive life” (19).

Massey then turns to the idea that there is an association, in philosophy, between “the spatial and the fixation of meaning,” or between spatiality and representation” (20). She is interested in philosophers who imply “another understanding of what space might be,” although “none of them pause very long either explicitly to develop this alternative or to explore the curious fact that this other (and more mobile, flexible, open, lively) view of space stands in such flat opposition to their equally certain association of representation with space” (20). One of those philosophers is Henri Bergson, whose concern was with temporality and duration, the experience of time and ways to resist “the evisceration of its internal continuity, flow and movement” (20). Bergson makes a distinction—as does Gilles Deleuze—“between discrete difference/multiplicity (which refers to extended magnitudes and distinct entities, the realm of diversity) and continuous difference/multiplicity (which refers to intensities, and to evolution rather than succession” (21). These terms are important, because they inform much of Massey’s argument, and she returns to them again and again. Discrete difference/multiplicity, she continues, “is divided up, a dimension of separation,” whereas continuous difference/multiplicity “is a continuum, a multiplicity of fusion” (21). Bergson and Deleuze, she writes, are trying “to instate the significance, indeed the philosophical primacy, of the second (continuous) form of difference over the first (the discrete) form” (21). At stake is “the genuine openness of history, of the future,” which is also central to Massey’s argument.

However, Bergson was interested in time rather than space; in fact, he devalued and subordinated space, in part by associating it with representation, which deprived space of dynamism and counterposed it radically to time (21). In his argument, space comes to be associated negatively against time, as a lack of movement and duration (22). But Massey asks why space must lack duration: “A dynamic simultaneity would be a conception quite different from a frozen instant” (23). Eventually, she continues, Bergson came to recognize “duration in external things,” and “thus the interpenetration, though not the equivalence, of space and time” (24). That notion is, she writes, “what I am calling space as the dimension of multiple trajectories, a simultaneity of stories-so-far. Space is the dimension of a multiplicity of durations” (24). The problem, however, is that “the old chain of meaning—space-representation-stasis—continues to wield its power” (24). Ernesto Laclau and Michel de Certeau both see space in this way, as representation and therefore stasis and ideological closure (24-25). “It is a remarkably pervasive and unquestioned assumption, and it does indeed have an intuitive obviousness,” Massey writes. “But as already indicated perhaps this equation of representation and spatialisation is not something which should be taken for granted” (26). Indeed, her purpose in this book is “to build an argument which will come to a very different conclusion” (26).

There are two propositions in this claim about space, Massey suggests: “first, the argument that representation necessarily fixes, and therefore deadens and detracts from, the flow of life; and second, that the product of this process of deadening is space” (26). She doesn’t entirely disagree with the first proposition, but believes that the equivalence the second makes between space and representation is baseless” (26-27). Representation, she argues, does fix and stabilize, but what it fixes and stabilizes is both history and geography, or “space-time” (27). “It would be better to recognise that ‘society’ is both temporal and spatial, and to drop entirely that definition of representation as space,” she writes, because representation is both spatial and temporal (27). Moreover, while “it is easy to see how representation can be understood as a form of spatialisation”—her example is a map—that map, as a representation of space, is not the territory itself, because “a territory is integrally spatio-temporal” (27-28). Here I found myself recalling Jorge Luis Borges’s story, “On Exactitude in Science,” about an empire whose cartographers made a life-sized map of the empire’s territory, which was, of course, useless: its “Tattered Ruins” are now “inhabited by Animals and Beggars,” and “in all the Land there is no other Relic of the Disciplines of Geography” (Borges).

The argument that space is representation has two consequences, according to Massey. First, there is a crisis of representation, since representation is constitutive rather than mimetic; and second, “that space itself, the space of the world, far from being equivalent to representation, must be unrepresentable in that latter, mimetic sense” (28). She notes that in the work of Deleuze and Felix Guattari, there is no “tripartite division between reality, representation and subjectivity”:

Here what we might have called representation is no longer a process of fixing, but an element in a continuous production; a part of it all, and itself constantly becoming. This is a position which rejects a strict separation between world and text and which understands scientific activity as being just that—an activity, a practice, an embedded engagement in the world of which it is a part. Not representation but experimentation. (28)

“As the text has been destabilised in literary theory so space might be destabilised in geography (and indeed in wider social theory),” Massey suggests (28-29). However, the issue is complex:

if scientific/intellectual activity is indeed to be understood as an active and productive engagement in/of the world it is none the less a particular kind of practice, a specific form of engagement/production in which it is hard to deny (to absolve ourselves from the responsibility for?) any element of representation . . . even if it is, quite certainly, productive and experimental rather than simply mimetic, and an embodied knowledge rather than a mediation. It does not, however, have to be conceived of as producing a space, nor its characteristics carried over to inflect our implicit imaginations of space. For to do so is to rob space of those characteristics of freedom (Bergson), dislocation (Laclau), and surprise (de Certeau) which are essential to open it up to the political.” (29)

The problem is that space is in general perceived as “somehow a lesser dimension than time: one with less gravitas and magnificence, it is the material/phenomenal rather than the abstract; it is being rather than becoming and so forth; and it is feminine rather than masculine” (29). Space, in other words, is the “subordinated category,” defined by its lack of temporality and therefore of secondary importance (29).

That is the binary opposition that Massey’s critique of philosophy sets out to deconstruct: space versus time. She points out that space is often seen as conquering time:

the supposedly weaker term of a dualism obliterates the positive characteristics of the stronger one, the privileged signifier. And it does this through the conflation of the spatial with representation. Space conquers time by being set up as the representation of history/life/the real world. On this reading space is an order imposed upon the inherent life of the real. (Spatial) order obliterates (temporal) dislocation. Spatial immobility quietens temporal becoming. (30)

The result, Massey writes, is “the most dismal of pyrrhic victories. For in the very moment of its conquering triumph ‘space’ is reduced to stasis. The very life, and certainly the politics, are taken out of it (30). Her ambition is to return the life and the politics to the concept of space.

Next, Massey takes a look at the way the structuralists imagined space. “Through many twentieth-century debates in philosophy and social theory runs the idea that spatial framing is a way of containing the temporal,” she writes. “For a moment, you hold the world still. And in this moment you can analyse the structure” (36):

You hold the world still in order to look at it in cross-section. It seems a small, and perhaps even an intuitively obvious, gesture, yet it has a multitude of resonances and implications. It connects with ideas of structure and system, of distance and the all-seeing eye, of totality and completeness, of the relation between synchrony and space. And . . . the assumptions which may lie within it and the logics to which it can give rise run off in a whole range of problematical directions. (36)

Structuralism, which aimed to analyze structures, seemed to focus on space, rather than time, because it was in a struggle against historical narratives; it was “in part an attempt to escape precisely that convening of geography and history” (36). To effect that escape, structuralism “turned to the concepts of structure, space and synchrony. Instead of narrative, structure; instead of diachrony, synchrony; instead of time, space” (37). Nevertheless, structuralism “left a legacy of . . . taken-for-granted assumptions” about space, Massey contends, “which have continued to this day to bedevil debate” (37).

Once again, concepts were mistranslated into notions of time and space, according to Massey. The structuralists equated their atemporal assumptions with space; if those structures weren’t temporal, they had to be spatial. Structure and process were thus understood as space and time, and space became the “absolute negation” of time (37). Chains of meaning were thereby established “between narrative/temporality/diachrony on the one hand and structure/spatiality/synchrony on the other” (37). But, Massey asks, are synchronic structures actually spatial?

The argument in some ways parallels that about representation. The “synchronic structures” of the structuralists were analytical schema devised for understanding a society, myth, or language. Structuralism goes further, then, than simply “holding the world still.” . . . Moreover, the (implicit) reason that these analytical structures were dubbed spatial is precisely that they are established as a-temporal, as the opposite of temporality, and therefore without time, and therefore without space. It is, primarily, a negative definition. In the logic of this reasoning space is assumed to be both the opposite of time and without temporality. Once again . . . space is rendered as the sphere of stasis and fixity. It is a conceptualisation of space which, once again, is really a residualisation and derives from an assumption: that space is opposed to time and lacking in temporality. Thought of like this, “space” really would be the realm of closure and that in turn would render it the realm of the impossibility of the new and therefore of the political. (37-38)

Space becomes synonymous with “synchronic closure,” Massey continues, and “such structures rob the objects to which they refer of their inherent dynamism,” eliminating the possibility of real change (38). In addition,

the conceptual synchronies of structuralism are relations imagined in a highly particular way. Above all, they are characterised by relations between their constituent elements such that they for a completely interlocked system. They are closed systems. It is this aspect of the conceptualisation—in combination with a-temporality—which does the most damage. For the stasis of closed systems robs “relational construction” of the anti-essentialism to which it is often claimed to lead. And the closure itself robs “the spatial” . . . of one of its potentially disruptive characteristics: precisely its juxtaposition, its happenstance arrangement-in-relation-to-each-other, of previously unconnected narratives/temporalities; its openness and its condition of always being made. It is this crucial characteristic of “the spatial” which constitutes it as one of the vital moments in the production of those dislocations which are necessary to the existence of the political (and indeed the temporal). (39)

Many of structuralism’s “framing conceptualisations” continue to influence intellectual arguments today, Massey notes, although poststructuralism, she contends, has the potential to imbue those structures with temporality and crack them open “to reveal the existence of other voices” (42). Her examples are the writings of Laclau and Chantal Mouffe, and de Certeau’s The Practice of Everyday Life. However, the work of these philosophers does not fully grasp the potential of a temporalized spatiality: “The broad conceptual thrust is to open up the structures of our imagination to temporality. . . . Yet in the midst of this invigorating concern with time neither author engages in any fundamental critique of the associated terminologies, and concepts, of space” (47). 

Nevertheless, the writing of Laclau and Mouffe, and de Certeau, does point towards “the interconnectedness of conceptualisations of space and conceptualisations of time,” Massey writes. “Imagining one in a particular way should, at least ‘logically,’ imply a particular way of thinking about the other,” because although they are not identical, “they are integral to each other” (47). “At a minimum,” Massey continues, “for time to be open, space must be in some sense open too. The non-recognition of the simultaneity of openended multiplicities that is the spatial can vitiate the project of opening up temporality” (48). “Levering space out of this immobilising chain of connotations both potentially contributes to the dislocations necessary for the existence of the political,” Massey concludes, “and opens space itself to more adequate political address” (48).

Not all poststructuralist writing suggests that the spatial is also the immobilized, but much of it does suggest that time is more valuable, rich, and dialectical than space (49). Nevertheless, Massey argues, space is temporalized in deconstruction, in theory if not always in practice, and poststructuralism “could very easily be spatial” (49-50). Nevertheless, there is “a residual but persistent ‘horizontality’” about deconstruction “which makes it difficult for it to handle . . . a spatiality which is fully integral within space-time” (50). That “emphasis on horizontality can be interpreted as . . . a turn towards spatiality and a spatiality, what’s more, which is open and differentiated” (50-51). However, Massey sees in deconstruction “too much emphasis on the purely horizontal and too little recognition of the multiple trajectories of which that ‘horizontality’ is the momentary, passing, result” (51). In addition, Derrida’s way of conceiving heterogeneity suggests “internal disruption and incoherence rather than . . . positive multiplicity,” which is both politically disabling and a problem for a rethinking of the spatial” (51). For Massey, deconstruction “is not enough to achieve that necessary transcribing of space from the chain stasis/representation/closure into an association with openness/unrepresentability/external multiplicity” (54). 

The purpose of this review of various philosophical definitions of space, Massey writes, is “to point to the problematic repercussions of some associations and to emphasise the potential of alternative views. The hope is to contribute to a process of liberating space from its old chain of meaning and to associate it with a different one in which it might have, in particular, more political potential” (55). I haven’t read Bergson, and its been years since I tackled either the structuralists or Derrida, so I can’t speak to the accuracy of Massey’s discussions of their work. I find myself having to take her response to these philosophers on faith. When she moves to her own arguments about space, however, I find myself on somewhat firmer ground; at least, I can follow her argument without wondering if I should stop and go and read Bergson or Derrida instead. According to Massey, her argument is that space is “an open ongoing production”:

As well as injecting temporality into the spatial this also reinvigorates its aspect of discrete multiplicity; for while the closed system is the foundation for the singular universal, opening that up makes room for a genuine multiplicity of trajectories, and thus potentially of voices. It also posits a positive discrete multiplicity against an imagination of space as the product of negative spacing, through the abjection of the other. (55)

“[N]either time nor space is reducible to the other; they are distinct,” she continues. “They are, however, co-implicated. On the side of space, there is the integral temporality of a dynamic simultaneity. On the side of time, there is the necessary production of change through practices of interrelation” (55). This co-implication is no doubt the reason she sometimes refers to “space-time.” “Conceptualising space as open, multiple and relational, unfinished and always becoming, is a prerequisite for history to be open and thus a prerequisite, too, for the possibility of politics,” she contends. (Yes, her argument, at least they way I am presenting it, is repetitive; but I would argue that it becomes more clear through repetition, or at least that was my experience of it.) “If time unfolds as change then space unfolds as interaction,” Massey argues. For that reason, she describes space as “the social dimension,” as well as “the sphere of the continuous production and reconfiguration of heterogeneity in all its forms—diversity, subordination, conflicting interests” (61). Massey’s goal, she continues, is to develop “a relational politics for a relational space” (61).

Next, Massey turns to the current interest in “the spatialisation of social theory,” using “the postcolonial concern to rework the sociological debates over the nature of modernity and its relation to globalisation” as an example (62). “The implications of spatialising/globalising the story of modernity are profound,” she writes. “The most obvious effect, which has been the main intent, is to rework modernity away from being the unfolding, internal story of Europe alone. The aim has been precisely to decentre Europe” (62-63). Along with the decentring of Europe’s trajectory, it needs to be recognized as only one of the histories being made at that time (63):

Once understood as more than the history of Europe’s own adventures, it is possible to appreciate how the previous way of telling the story (with Europe at its centre) was powered by the way in which the process was experienced within Europe; told through the experience of exploration outward from Europe; told from the point of view of Europe as the protagonist. Spatialising that story enables an understanding of its positionality, its geographical embeddedness; an understanding of the spatiality of the production of knowledge itself. (63)

Indeed, “retelling the story of modernity through spatialisation/globalisation exposed modernity’s preconditions in and effects of violence, racism and oppression” (63). Modernity established “a particular power/knowledge relation which was mirrored in a geography that was also a geography of power,” Massey continues. Postcolonial critique has exposed that geography and therefore has undermined that power/knowledge relation (64). Spatializing the story of modernity has not left its story the same (64). 

One of the outcomes of modernity was “a particular hegemonic understanding of the nature of space itself, and of the relation between space and society,” Massey writes. One characteristic of that understanding was a particular conception of place, in which cultures and nations and local communities were “all imagined as having an integral relation to bounded spaces, internally coherent and differentiated from each other by separation” (64). Those bounded spaces became identified as places, and place came to be defined as bounded space, with its own “internally generated authenticities” which were “defined by their difference form other places which lay outside, beyond their borders” (64). “It was,” Massey continues,

a way of imagining space—a geographical imagination—integral to what was to become a project for organising global space. It was through that imagination of space as (necessarily, by its very nature) divided/regionalised that the . . . project of the generalisation across the globe of the nation-state form could be legitimated as progress, as “natural.” And it continues to reverberate today. (64-65)

Today, this sense of place operates as an imaginary past, a nostalgia for something that never existed, and as a response to globalization “which consists of retreating into its supposed opposite: nationalisms and parochialisms and localisms of all sorts” (65).

The story about space that is told by this particular notion of place is “a way of taming the spatial,” Massey suggests, “a representation of space, a particular form of ordering and organising space which refused (refuses) to acknowledge its multiplicities, its fractures and its dynamism” (65). “It is a stabilisation of the inherent instabilities and creativities of space; a way of coming to terms with the great ‘out there.’ It is this concept of space which provides the basis for the supposed coherence, stability and authenticity to which there is such frequent appeal in discourses of parochialism and nationalism” (65). It is also the starting point for the conceptualization of space in the social sciences: “an imagination of space as already divided-up, of places which are already separated and bounded” (65). And that, Massey contends, is a big problem:

The modern, territorial, conceptualisation of space understands geographical difference as being constituted primarily through isolation and separation. Geographical variation is preconstituted. First the differences between places exist, and then those different places come into contact. (68)

This essentialist version of space

runs clearly against the injunction that space be thought of as an emergent product of relations, including those relations which establish boundaries, and where “place” in consequence is necessarily meeting place, where the “difference” of a place must be conceptualised more in the ineffable sense of the constant emergence of uniqueness out of (and within) the specific constellations of interrelations within which that place is set . . . and of what is made of that constellation. (68)

That latter version of place “as process, as the constant production of the new,” as “neither an essentialised emergence from an origin nor the product of a spacing in the sense of expulsion or attempted purifiation,” “indicates the dubiousness of that duality—so popular and so persistent—between space and place” (68). Here we see one aspect of Massey’s critique of the distinction between space and place; although I’m not sure that it is completely accurate, I am going to have to take it into account when I write about place.

There is, however, a version of place that Massey finds useful, one that recognizes spatiality’s inherent multiplicity and heterogeneity and coevalness:

“Recognising spatiality” involves (could involve) recognising coevalness, the existence of trajectories which have at least some degree of autonomy from each other (which are not simply alignable into one linear story). . . . On this reading, the spatial, crucially, is the realm of the configuration of potentially dissonant (or concordant) narratives. Places, rather than being locations of coherence, become the foci of the meeting and the nonmeeting of the previously unrelated and thus integral to the generation of novelty. The spatial in its role of bringing distinct temporalities into new configurations sets off new social processes. And in turn, this emphasises the nature of narratives, of time itself, as being not about the folding of some internalised story (some already-established identities)—the self-producing story of Europe—but about interaction and the process of the constitution of identities—the reformulated notion of (the multiplicities of) colonisation. (71)

There is a place for place in Massey’s theory, then: it could function as a meeting point for “previously unrelated” trajectories and narratives. 

However, Massey isn’t just disagreeing with human geographers who privilege place over space; she is also disagreeing with those who claim that we live in a world “which is purely spatial,” “a depthless horizontality of immediate connections” (76). That depthlessness is atemporal, which means that, in this way of thinking, history is unthinkable (76). “Just as time cannot adequately be conceptualised without a recognition of the (spatial) multiplicities through which it is generated,” Massey writes,

so space cannot adequately be imagined as the stasis of a depthless, totally interconnected, instantaneity. Any assumption of a closed instantaneity not only denies space this essential character of itself constantly becoming, it also denies time its own possibility of complexity/multiplicity. (76-77)

That assumption would also leave no opening for politics, because it posits a closed system composed, ironically, of apparently open connections (77). 

That idea of “depthless horizontality” is, for Massey, related to the notion of globalization as “a world of flows” (81)—at least, I think it is the theoretical enabling of globalization’s more concrete activities. Like modernity’s notion of progress, globalization presents itself as inevitable, another “grand narrative” with enormous implications, including the idea that everyone will eventually become the same (82). This “aspatial view of globalisation” occludes the potential differences in the trajectories of different spaces” (82). It tells “a tale with a single trajectory,” and the “openness of the future which is in part a consequence of the multiplicities of the spatial is reined in,” so that different spaces have no space in which to tell different stories or to follow another path (82). “The convening of contemporaneous geographical differences into temporal sequence, this turning it into a story of ‘catching up,’” Massey argues, “occludes present-day relations and practices and their relentless production, within current rounds of capitalist globalisation, of increasing inequality” (82). These tales of inevitability, she continues,

require dynamics which are beyond intervention. They need an external agent, a deus ex machina. The unquestioned motors of “globalisation’s” historicising of the world’s geographical inequalities are, in various mixtures, the economy and technology. By this means, a further political result is achieved: the removal of the economic and the technological from political consideration. The only political questions become ones concerning our subsequent adaptation to their inevitability. (82-83)

Neoliberal, capitalist globalization, led by transnational corporations, is taken to be the only possible form of globalization:

Objections to this particular globalisation are persistently met with the derisive riposte that “the world will inevitably become more interconnected.” Capitalist globalisation is equated with globalisation tout court, a discursive manoeuvre which at a stroke obscures the possibility of seeing alternative forms. (83)

This particular form of globalization is taken as inevitable—but Massey’s argument suggests that other forms are possible, if we were only free to imagine them (83).

This way of thinking enables the imposition of structural adjustment programs on the global South and the enforcement of export orientations on countries over local consumption; in the global North, it “becomes the basis for decisions precisely to implement it” because it is “represented as ineluctable—a force in the face of which we must adapt or be cast into oblivion” (83-84). Meanwhile, however, “some of the most powerful agencies in the world are utterly intent on its production” (84). “This vision of global space,” Massey writes,

is not so much a description of how the world is, as an image in which the world is being made. Just as in the case of modernity, here we have a powerful imaginative geography. It is a very different imagination: instead of space divided-up and bounded here is a vision of space as barrier-less and open. But both of them function as images in which the world is made. Both of them are imaginative geographies which legitimise their own production. (84)

“[T]he very fact that some are striving so hard” to make the world globalized “is evidence of the project’s incompletion,” Massey continues (84). But more than that:

There are multiple trajectories/temporalities here. Once again, as in the case of modernity, this is a geographical imagination which ignores the structured divides, the necessary ruptures and inequalities, the exclusions, on which the successful prosecution of the project itself depends A further effect of the temporal convening of spatial difference here again becomes evident. So long as inequality is read in terms of stages of advance and backwardness not only are alternative stories disallowed but also the fact of the production of poverty and polarisation within and through “globalisation” itself can be erased from view. (84)

Once again, Massey suggests, we see “a geographical imagination which ignores its own real spatiality” (84).

With its emphasis on free trade of goods and the mobility of capital, on the one hand, and on strict controls on immigration, on the other, globalization offers us “two apparently self-evident truths, a geography of borderlessness and mobility, and a geography of border discipline,” Massey suggests (86):

No matter that they contradict each other; because it works. And it “works” for a whole set of reasons. First, because each self-evident truth is presented separately. But second, because while neither imagination in its pure form is possible (neither a space hermetically closed into territories nor a space composed solely of flows) what is really needed politically is for this tension to be negotiated explicitly and in each specific situation. . . . Each “pure” imagination on its own tames the spatial. It is their negotiation which brings the question (rights of movement/rights of containment) into politics. The appeal to an imagination of pure boundedness or pure flow as self-evident foundation is neither possible in principle nor open to political debate. (86)

It is, she continues, a “double imaginary, in the very fact of its doubleness, of the freedom of space on the one hand and the ‘right to one’s own place’ on the other,” and it “works in favour of the already-powerful,” who can move anywhere they please while protecting their own homes, while “the poor and the unskilled from the so-called margins of this world are both instructed to open up their borders and welcome the West’s invasion in whatever form it comes, and told to stay where they are” (86-87).

None of this is news, of course. Nor is the argument, which is borne out in news stories about populism every day, that

the discourse of globalisation as free movement is fuelling the “archaic” (but not) sentiments of parochialism, nationalism and the exclusion of those who are different. 

Today’s hegemonic story of globalisation, then, relates a globalisation of a very particular form. And integral to its achievement is the mobilisation of powerful (inconsistent, falsely self-evident, never universalisable—but powerful) imaginations of space. (87)

What is new, however, is the suggestion that “powerful . . . imaginations of space” are behind globalization’s ideological hegemony. Globalization, Massey argues, “convenes spatial difference into temporal sequence, and thereby denies the possibility of multiple trajectories; the future is not held open” (87). Instead of openness,

[i]t installs an understanding of space, the “space of flows,” which, just like the space of places in modernity, is deployed (when needed) as a legitimation for its own production and which pretends to a universality which anyway in practice it systematically denies. For, in fact, in the context of and as part of this “globalisation” new enclosures are right now being erected. (87)

[T]his imagination of globalisation is resolutely unaware of its own speaking position: neoliberal to be sure, but also more generally Western in its locatedness” (87-88). It is also not spatialized (88):

really “spatialising globalisation” means recognising crucial characteristics of the spatial: its multiplicity, its openness, the fact that it is not reducible to “a surface,” its integral relation with temporality. The a-spatial view of globalisation, like the old story of modernity, obliterates the spatial into the temporal and in that very move also impoverishes the temporal (there is only one story to tell). The multiplicity of the spatial is a precondition for the temporal: and the multiplicities of the two together can be a condition for the openness of the future. (88-89)

“If space is genuinely the sphere of multiplicity, if it is the realm of multiple trajectories,” Massey continues,

then there will be multiplicities too of imaginations, theorisations, understandings, meanings. Any “simultaneity” of stories-so-far will be a distinct simultaneity from a particular vantage point. If the repression of the spatial under modernity was bound up with the establishment of foundational universals, so the recognition of the multiplicities of the spatial both challenges that and understands universals as spatio-temporally specific positions. An adequate recognition of coevalness demands acceptance that one is being observed/theorised/evaluated in return and potentially in different terms. . . . Recognition of radical contemporaneity has to include recognition of the existence of those limits too. (89)

Globalization, in its neoliberal form, then, represses the spatial, because it refuses multiplicity and heterogeneity. It is singular and it recognizes no limits—certainly not those demanded by an “adequate recognition of coevalness.” 

“The confusions that exist within current imaginations of the time-spaces of globalisation,” Massey writes, “are, perhaps, at their most acute (and, ironically, least noticed) in the easy coexistence of the view that this is the age of the spatial with the contradictory, but equally accepted, notion that this is the age in which space will finally . . . be annihilated by time” (90). These propositions are obviously at odds with one another, but nonetheless they are related:

On the one hand, more and more “spatial” connections, and over longer distances, are involved in the construction and understanding and impact of any place or economy or culture and of everyday life and actions. There is more “space” in our lives, and it takes less time. On the other hand, this very speed with which “we” can now cross space (by air, on screen, though cultural flows) would seem to imply that space doesn’t matter any more; that speed-up has conquered distance. Precisely the same phenomenon seems to be leading to the conclusion both that space has now won out to the detriment of any ability to appreciate temporality (the complaint of depthlessness) and that time has annihilated space. Neither view is tenable as it stands. (90)

Massey suggests that rather than annihilating space, the increase in speed is simply reducing time, and that, more importantly, “space is not anyway reducible to distance” (90-91). Time and space are mutually implicated, she argues, so how could one annihilate the other? In any case, “[a]s long as there is multiplicity there will be space,” because space “is the sphere of openended configurations within multiplicities” (91). “Given that,” she continues,

the really serious question which is raised by speed-up, by “the communications revolution” and by cyberspace, is not whether space will be annihilated but what kinds of multiplicities (patternings of uniqueness) and relations will be co-constructed with these new kinds of spatial configurations. (91)

Moreover, cyberspace will never take over from physical space. For one thing, mobility and fixity, she writes, “presuppose each other” (95). For another, “[t]he impetus to motion and mobility, for a space of flows, can only be achieved through the construction of (temporary, provisional) stabilisations” that are the result of negotiations “between conflicting tendencies” (95). Besides, cyberspace has material necessities which root it in physical space (96-97).

Next, Massey turns to potential theoretical underpinnings for the struggle against globalization. Valuing the local over the global is not going to work, in her view:

Different places occupy distinct positions within the wider power-geometries of the global. In consequence, both the possibilities of intervention (the degree of purchase upon), and the nature of the potential political relationship to (including the degree and nature of responsibility for) will also vary. It is no accident that much of the literature concerning the defence of place has come from, or been about, either the South or, for instance, deindustrialising places in the North. From such a perspective, capitalist globalisation does indeed seem to arrive as a threatening external force. But in other places it may well be that a particular construction of place is not politically defensible as part of a politics against neoliberal globalisation—and this is not because of the impracticality of such a strategy but because the construction of that place, the webs of power-relations through which it is constructed, and the way its resources are mobilised, are precisely what must be challenged. (102)

What is needed is “a local politics that took seriously the relational construction of space and place,” which would “be highly differentiated through the vastly unequal articulation of those relations,” she writes. “The local relation to the global will vary and in consequence so will the coordinates of any local politics of challenging globalisation” (102).

Massey then returns to maps as representations of space. Maps suggest, she writes, that space is a surface, “the sphere of a completed horizontality” (106-07), which is impossible, since space is “the sphere of a dynamic simultaneity, constantly disconnected by new arrivals, constantly waiting to be determined (and therefore always undetermined) by the construction of new relations” (107). “Loose ends and ongoing stories are real challenges to cartography,” she writes (107). However, there are attempts at representing space that seek to rupture the map’s contention that space is a completed whole, a surface. “Situationist cartographies, while still attempting to picture the universe, map that universe as one which is not a single order,” she notes (109). Such cartographies set out “to disorient, to defamiliarise, to provoke a view from an unaccustomed angle” (109). Other art projects have tried to puncture the apparently smooth surface of space, such as Clive van den Berg’s art events, which “aim to disrupt the complacent surface of white South Africa with reminders of the history on which it is based”; Iain Sinclair’s “dérives through eastern London,” which “evoke, through the surface, pasts (and presents) not usually noticed; and Anne McClintock’s “provocative notion of ‘anachronistic space’—a permanently anterior time within the space of the modern” (117). I know Sinclair’s work, but not van den Berg’s or McClintock’s; I am going to have to learn more about them.

Travel, Massey suggests, is another way of altering space. When you take the train somewhere, “[y]ou are part of the constant process of the making and breaking of links which is an element in the constitution of you yourself,” as well as the locations where your journey begins and ends: “You are not just travelling through space or across it, you are altering it a little. Space and place emerge through active material practices” (118). Massey acknowledges that it is impossible to recognize all of the stories existing at the same time as your journey, but she suggests that recognizing the possibility of simultaneous stories, “the imaginative opening up of space,” can enable one “to retain at least some sense of contemporaneous multiple becomings” (120). 

Such a recognition would be useful in a recognition of the fatuousness and futility of nostalgia or any desire to return to a point of origin:

the truth is that you can never simply “go back,” to home or to anywhere else. When you get “there” the place will have moved on just as you yourself have changed. And this of course is the point. For to open up “space” to this kind of imagination means thinking time and space as mutually imbricated and thinking both of them as the product of interrelations. You can’t go back in space-time. To think that you can is to deprive others of their ongoing independent stories. . . . You can’t hold places still. What you can do is meet up with others, catch up with where another’s history has got to “now,” but where that “now” . . . is itself constituted by nothing more than—precisely—that meeting-up (again). (124-25)

The one-way directionality of space-time is the reason Massey likes to use the word “trajectory,” with its connotations of movement in one direction only. More importantly, we see here Massey’s insistence that spaces are in motion even as we are in motion. I find myself wondering about how this discussion of travel might illuminate my ideas about walking, even my ideas about place itself.

In the next chapter, Massey returns to her discussion of place, and the way that abandoning a notion of space as a surface will affect one’s view of place as well:

If space is rather a simultaneity of stories-so-far, then places are collections of those stories, articulations within the wider power-geometries of space. Their character will be a product of these intersections within that wider setting, and of what is made of them. And, too, of the non-meetings-up, the disconnection and the relations not established, the exclusions. All this contributes to the specificity of place. (130)

Places are not points or areas on maps; rather, they are “integrations of space and time” (130). They are, in other words, “spatio-temporal events” (130). “This is an understanding of space—as open (‘a global sense of place’), as woven together out of ongoing stories, as a moment within power-geometries, as a particular constellation within the wider topographies of space, as in process, as unfinished business” (131). Massey’s example of place as a spatio-temporal event is Skiddaw, a mountain in the Lakes District of northern England. Because of continental drift, the mountain’s geological history,

the rocks of Skiddaw are immigrant rocks, just passing through here, like my sister and me only rather more slowly, and changing all the while. Places as heterogenous associations. If we can’t go “back” home, in the sense that it will have moved on from where we left it, then more more, and in the same sense, can we, on a weekend in the country, go back to nature. It too is moving on. (137)

Geological time is of a different scale than human time, of course, but Massey insists, “quite passionately,” on the idea that

what is special about place is not some romance of a pre-given collective identity or of the eternity of the hills. Rather, what is special about place is precisely that throwntogetherness, the unavoidable challenge of negotiating a here-and-now (itself drawing on a history and a geography of thens and theres); and a negotiation which must take place within and between both human and nonhuman. This in no way denies a sense of wonder: what could be more stirring than walking the high fells in the knowledge of the history and the geography that has made them here today. 

This is the event of place. (140)

Place is constantly changing (140-41): it is an event, it is “the simple sense of the coming together of the previously unrelated, a constellation of processes rather than a thing. This is place as open and as internally multiple. Not capturable as a slice through time in the sense of an essential action. Not intrinsically coherent” (141). In fact, she continues, place “is simply a coming together of trajectories”:

But it is a uniqueness, and a locus of the generation of new trajectories and new configurations. Attempts to write about the uniqueness of place have sometimes been castigated for depoliticisation. Uniqueness meant that one could not reach for the eternal rules. But “politics” in part precisely lies in not being able to reach for that kind of rule; a world which demands the ethics and the responsibility of facing up to the event; where the situation is unprecedented and the future is open. Place is an event in that sense too. (141)

For Massey, reconceptualizing place in this way generates “a different set of political questions”:

There can be no assumption of pre-given coherence, or of community or collective identity. Rather, the throwntogetherness of place demands negotiation. In sharp contrast to the view of place as settled and pre-given, with a coherence only to be disturbed by “external” forces, places as presented here in a sense necessitate invention; they pose a challenge. They implicate us, perforce, in the lives of human others, and in our relations with nonhumans they ask how we shall respond to our temporary meeting-up with these particular rocks and stones and trees. They require that, in one way or another, we confront the challenge of the negotiation of multiplicity. The sheer fact of having to get on together; the fact that you cannot (even should you want to, and this itself should in no way be presumed) “purify” spaces/places. In this throwntogetherness what are at issue are the terms of engagement of those trajectories (both “social” and “natural”), those stories-so-far, within (and not only within) that conjuncturality. (142)

I could be completely wrong, but I’m not convinced that Massey’s version of place can’t be reconciled with Tuan’s. After all, there is a sense of process in his notion of place, a sense that one comes to understand place over time. I am going to have to think about this question very carefully over the coming days.

Massey’s notion of place is not dissimilar to her notion of politics; both are about the negotiation of relations. She wants to argue, she writes, 

for a politics, perhaps better an angle of vision on politics, which can open itself up in this way to an appreciation of the spatial and the engagements it challenges us to. That is to say, less a politics dominated by a framing imagination of linear progression (and certainly not singular linear progression), and more a politics of the negotiation of relations, configurations; one which lays an emphasis on . . . practices of relationality, a recognition of implication, and a modesty of judgement in the fact of the inevitability of specificity. (147)

What is at issue in politics, she continues,

is the constant and conflictual process of the constitution of the social, both human and nonhuman. Such a view does not eliminate an impetus to forward movement, but it does enrich it with a recognition that movement be itself produced through attention to configurations; it is out of them that new heterogeneities, and new configurations, will be conjured. This is a temporality which is not linear, nor singular, nor pregiven; but it is integral to the spatial. It is a politics which pays attention to the fact that entities and identities (be they places, or political constituencies, or mountains) are collectively produced through practices which form relations; and it is on those practices and relations that politics must be focused. But this also means insisting on space as the sphere of relations, of contemporaneous multiplicity, and as always under construction. It means not falling back into those strategies of evasion which fail to face up full on to the challenge of space. (147-48)

She tells a story about a large glacial erratic found in the Elbe River in Hamburg, Germany, and the way that this rock became an icon of openness to the world outside the city, because it was, itself, from somewhere else (149-51). The point of this story is, as with the story about Skiddaw, that even the rocks are moving; no place, no space, is stable or fixed if the rocks and the ground beneath our feet are mobile.

Like the meaning of the Hamburg erratic, the meanings of places, and spaces, must be negotiated. Public spaces are one example: “The very fact that they are necessarily negotiated, sometimes riven with antagonism, always contoured through the playing out of unequal social relations, is what renders them genuinely public” (153). More ordinary places, “temporary constellations of trajectories,” or “events which are places,” also “require negotiation” (153):

The daily negotiation and contestation of a place does not require . . . the conscious collective contestation of its identity (however temporarily established) nor are there the mechanisms for it. But insofar as they “work” at all places are still not-inconsiderable collective achievements. They are formed through a myriad of practices of quotidian negotiation and contestations; practices, moreover, through which the constituent “identities” are also themselves moulded. Place, in other words does—as many argue—change us, not through some visceral belonging (some barely changing rootedness, as so many would have it) but through the practising of place, the negotiation of intersecting trajectories; place as an arena where negotiation is forced upon us. (154)

This is true of both urban and rural places; the countryside is just as prone to change and disturbance as the city, although “reimagining countryside/Nature is more challenging still than responding to the changing spatiality (customarily figured as predominantly human) of the urban” (160). She notes the “biotic impact” of colonization—something that is inscribed on the land here in Saskatchewan, where an ecosystem has been almost entirely destroyed since the 1880s—a destruction that is ongoing—in order to establish a modern economy based on agriculture, at first, and then resource extraction (mining and oil production). But “negotiation” might be the wrong word to use to describe the effect of colonization on Indigenous peoples here; although treaties were negotiated, essential aspects of those treaties were, Sheldon Krasowski argues, kept hidden by the government negotiators. The land remains Indigenous, Krasowski contends, and so “contestation,” rather than negotiation, might be a more appropriate term to use in this part of the world. (Several months ago, I blogged about Krasowski’s book on treaties in western Canada here.)

“A relational politics of place,” Massey writes, “involves both the inevitable negotiations presented by throwntogetherness” (181). At the same time, “a global sense of places evokes another geography of politics too: that which looks outwards to address the wider spatialities of the relations of their construction. It raises the question of a politics of connectivity” (181). The local is in a relation to the global, and therefore “each local struggle is already a relational achievement, drawing from both within and beyond ‘the local,’ and is internally multiple” (182). The potential is “for the movement beyond the local to be rather one of extension and meeting along lines of constructed equivalence with elements of the internal multiplicities of other local struggles,” Massey continues:

The building of such equivalences is itself a process, a negotiation, an engagement of political practices and imaginations in which ground is sought through which the local struggles can construct common cause against a (now differently constructed) antagonist. And the ground will itself be new; politics will change in the process. Moreover, within that process—precisely through the negotiation of a connection and the constitution of a common antagonist—the identities of the constituent local struggles are themselves subject to further change. (182)

“[R]ather than providing a template of answers,” Massey argues, this notion of local struggles “forces the posing of questions about each specific situation” (182). The politics that would result from this sense of the relation between local and global struggles would be integrally and significantly spatial:

The differential placing of local struggles within the complex power-geometry of spatial relations is a key element in the formation of their political identities and politics. In turn, political activity reshapes both identities and spatial relations. Space, as relational and as the sphere of multiplicity, is both an essential part of the character of, and perpetually reconfigured through, political engagement. And the way in which that spatiality is imagined by the participants is also crucial. The closure of identity in a territorialised space of bounded places provides little in the way of avenues for a developing radical politics. (183)

Nevertheless, the “prevailing attitude towards place” works against that kind of political engagement, Massey claims:

Spatial imaginaries both in hegemonic and counter-hegemonic political discourses, and in academic writing, hold it back. Of prime importance here is the persistent counterposition of space and place, and it is bound up with a parallel counterposition between global and local. . . . Over and over again, the counterposition of local and global resonates with an equation of the local with realness, with local place as earthly and meaningful, standing in opposition to a presumed abstraction of global space. It is a political imaginary which, in a range of formulations, has a powerful counterpart in reams of academic literature. (183)

Included among the “reams of academic literature” is Tuan, whose claim that space is more abstract than space, and that place is more meaningful than space, is held up by Massey as an example of the wrong way to approach definitions of these terms (183). Such a division, she writes, “rests upon a problematical geographical imagination”:

To begin with, it is to confound categories. The couplets local/global and place/space do not map on to that of concrete/abstract. The global is just as concrete as is the local place. If space is really to be thought relationally then it is no more than the sum of our relations and interconnections, and the lack of them; it too is utterly “concrete.” (184)

Such a division is also bound up with “that dualism between Emotion (place/local) and Reason (space/global)” (184). For Massey,

[a]n understanding of the world in terms of relationality, a world in which the local and the global really are “mutually constituted,” renders untenable these kinds of separation. The “lived reality of our daily lives” is utterly dispersed, unlocalised, in its sources and in its repercussions. The degree of dispersion, the stretching, may vary dramatically between social groups, but the point is that the geography will not be simply territorial. . . . In such approaches words such as “real,” “everyday,” “lived,” “grounded” are constantly deployed and bound together; they intend to invoke security, and implicitly—as a structural necessity of the discourse—they counterpose themselves to a wider “space” which must be abstract, ungrounded, universal, even threatening. Once again the similarity between the conception of information as disembodied and of globalisation as some kind of other realm, always somewhere else, is potent. . . . It is a dangerous basis for a politics. One cannot seriously posit space as the outside of place as lived, or simply equate “the everyday” with the local. If we really think space relationally, then it is the sum of all our connections, and in that sense utterly grounded, and those connections may go round the world. (184-85)

“My argument is not that place is not concrete, grounded, real, lived, etc.,” Massey writes. “It is that space is too” (185). So Massey would vehemently disagree with my sense that her argument and Tuan’s are not so far apart. However, I wonder if a careful reading of Tuan’s book on space and place might not find points of connection. It might be worth at least attempting to see if there is any possible rapprochement between these two versions of space and place—and if there isn’t, then I will have to take note of Massey’s arguments here.

One related concern Massey has is our tendency to connect our ethical imaginations to the local rather than the global. Does ethical concern have to be connected to place? she asks. “Does it have to be territorial at all? Perhaps it is not ‘place’ that is missing, but grounded, practised, connectedness” (187). “A full recognition of the characteristics of space also entails the positive interconnectivity, the nature of the constitutive relationality, of this approach,” she argues:

this is a relational ontology which avoids the pitfalls both of classical individualism and of communitarian organicism; just so a full recognition of space involves the rejection both of any notion of authentic self-constituting territories/places and of the closed connectivities of structuralism as spatial (and thus evokes space as always relational and always open, being made) and implies the same structure of the possibility of politics. (189)

Such an approach to understanding the social, the individual, and the political, Massey continues,

itself implies and requires both a strong dimension of spatiality and the conceptualisation of that spatiality in a particular way. At one level this is to rehearse again the fact that any notion of sociability, in its sparest form simply multiplicity, is to imply a dimension of spatiality. This is obvious, but since it usually remains implicit (if even that), its implications are rarely drawn out. The very acknowledgement of our constitutive interrelatedness implies a spatiality; and that in turn implies that the nature of that spatiality should be a crucial avenue of enquiry and political engagement. Further, this kind of interconnectedness which stresses the imaginative awareness of others, evokes the outwardlookingness of a spatial imagination. . . . In other words, to push the point further, the full recognition of contemporaneity implies a spatiality which is a multiplicity of stories-so-far. Space as coeval becomings. Or again, an understanding of the social and the political which avoids both classical individualism and communitarian organicism absolutely requires its constitution through a spatio-temporality which is open, through an open-ended temporality which itself necessarily requires a spatiality that is both multiple and not closed, one which is always in the process of construction. Any politics which acknowledges the openness of the future (otherwise there could be no realm of the political) entails a radically open time-space, a space which is always being made. (189)

To be honest, I’m not sure this version of an ethics of connection is likely to outweigh the draw of the local and parochial. Maybe it should, but it seems too abstract, as compared to the call of communities close to home, however imagined those communities might be.

Massey’s concluding paragraph brings together space, place, and time in a way that relates all three to her argument about ethics and connection:

Space is as much a challenge as is time. Neither space nor place can provide a haven from the world. If time presents us with the opportunities of change and (as some would see it) the terror of death, then space presents us with the social in the widest sense: the challenge of our constitutive interrelatedness—and thus our collective implication in the outcomes of that interrelatedness; the radical contemporaneity of an ongoing multiplicity of others, human and nonhuman; and the ongoing and ever-specific project of the practices through which that sociability is to be configured. (195)

This argument describes what ought to be, but it does not describe what is: we might be interrelated with a “radical contemporaneity of an ongoing multiplicity of others, human and nonhuman,” but it seems that selfishness and selfcentredness and parochialisms of all kinds have the upper hand at the moment, and I see nothing in Massey’s argument that would help us to turn that situation around. It is simply too abstract to appeal to most people, I am afraid.

Nevertheless, For Space is an important book, and I am happy to have another definition of place, aside from Tuan’s, to draw upon. If nothing else, I know one of the main arguments against Tuan’s conceptions of space and place, and knowing those arguments, I can build a defence of my use of Tuan—because, despite Massey’s objections, I do think there is something useful in his argument. I like Massey’s definition of politics, and her commitment to openendedness and her abhorrence of closure, and I like the way she brings the spatial and the temporal together. Her discussion of postcolonialism and multiple narratives is also important for my work. I have to say, though, that because For Space is a challenging book, I will probably have to reread it to truly understand Massey’s arguments. That’s fine; reading is (always) rereading. This (lengthy) summary is only my first attempt at understanding her ideas; at some point in the not-too-distant future, I’m going to have to try again.

Works Cited

Borges, Jorge Luis. “On Exactitude in Science.” Collected Fictions, translated by Andrew Hurley. https://kwarc.info/teaching/TDM/Borges.pdf.

Krasowski, Sheldon. No Surrender: The Land Remains Indigenous. U of Regina P, 2019.

Massey, Doreen. For Space. Sage, 2005.

Tuan, Yi-Fu. Space and Place: The Perspective of Experience. U of Minnesota P, 1977.